


šļø Own the stage with AKGās powerhouse vocal micābecause your voice deserves the spotlight.
The AKG D5 is a professional-grade dynamic microphone engineered for live vocal performance, featuring AKGās proprietary lamination barrier technology for clear highs and rich lows. Its dual shock mount system minimizes handling noise, while the rugged metal die-cast body ensures durability. Designed for vocalists seeking uncompromising sound clarity and reliability, it comes complete with a microphone holder and pouch.



| ASIN | B000S5JKRQ |
| Amazon Bestseller | #13,758 in Musical Instruments ( See Top 100 in Musical Instruments ) #124 in Dynamic Microphones |
| Audio Sensitivity | 52 Decibels |
| Batteries | 1 Lithium Ion batteries required. |
| Color Name | Black |
| Customer Reviews | 4.5 4.5 out of 5 stars (882) |
| Date First Available | November 20, 2007 |
| Frequency Response | 7E+1 KHz |
| Global Trade Identification Number | 00885038018575, 09002761018578 |
| Hardware Platform | Amplifier, Amplifier |
| Impedance | 600 Ohms |
| Is Discontinued By Manufacturer | No |
| Item Weight | 1.32 Pounds |
| Item dimensions L x W x H | 20 x 7 x 14 cm |
| Item model number | 3138X00070 |
| Manufacturer | ćć¼ćć³ć¤ć³ćæć¼ćć·ć§ćć«(Harman International) |
| Material | Rubber |
| Material Type | Rubber |
| Microphone Form Factor | Handheld |
| Number of Batteries | 1 Lithium Ion batteries required. |
| Number of Channels | 1 |
| Power Source | Battery Powered |
| Signal-to-Noise Ratio | 80 dB |
| UPC | 885038018575 368298554019 616268565139 644535647509 700315946627 |
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A**R
A great mic for vocalists.. Especially powerful vocal performers... The D5 has a excellent SPL (Sound Pressure Level) of 149 dB at 1% THD and 152 dB at 3% THD.. no one is ever going to output that kind of vocal pressure but it means that you can sing real close to the mic .. 1 to 2 inches etc.. and have no distortion singing powerful notes.. Great tone and cuts out any side noise.. Rugged tough build on the D5, solid mesh grille this thing is built to last.. Has DUAL shock absorbers inside eliminate handling noise.. and the AKG Varimotion Diaphragm..which ensure natural vocal tones.. Cuts through the mix everytime.. use it wisely and you have a fantastic mic .. Very clear ..I like it anyway and I sing very strong notes and all styles from Hard rock, blues, country, pop, power ballads and down to soft tones and styles.. so it does a good job on dynamics.
B**T
Este microfono es estupendo pero quiero destacar algunos aspectos. - Es muy ligero - gran calidad de audio - diseƱo bonito - bueno tanto para bajos como para frequencias altas - suena mejor para chicas y baritonos, y se escucha bien la guitarra tambien Si lo vas a tener siempre en mano..capta mucho el movimiento de la mano..es algo demasiado ligero para mis gustos.. Capta mas ambiente que otros ( como el shure) La calidad de sonido es muy buena ( a nivel de otros mas caros) y se escucha asi como "mas de estudio"..mas ambiente , pero yo he preferido un sonido un poco mas definido y menos ambiental..por eso no me lo he quedado ( estoy habando de cantar vocal). Para hablar creo que es el nr 1 por menos de 100 incluso mas, ya que se escucha muy muy claro, y capta muy bien.
R**D
Excellent mic that I bought after seeing a few video reviews of it online. It came down in an Amazon deal, I made a quick decision, and I feel it paid off. The first obvious thing is that there is a nice transparency to the sound the mic picks up, it feels very natural, and if the mic is far enough away there's a moderate but limited sense of the room ambience in the sound, which makes it pretty consistent. I normally use condenser mics (Audio Technica ATM-11 and AT-2020) and a PZM, but wanted a dynamic to mic up my guitar amps, for some vocals, and also for portable recordings I make in different spaces when I'm travelling. The stated frequency response, 70hz-20khz, suits my purposes for vocals, and guitar amps, but the roll-off in the bass above 70hz definitely changes the character of the bottom end if you're mic-ing up a bass part. If you were using a 5+ string bass this definitely wouldn't be the go-to mic (but then again you'd be DI-ing the bass anyway). The supercardioid pattern effect is really obvious, with a marked dropoff if you move off axis, so for bvox you'd be quite cosy with your co-singer if you both wanted to be heard, and "three's a crowd" - a third vocalist would be a bit of a tight fit and probably wouldn't be feasible, it really is that focussed. The upside is that you can use this to advantage once you get the feel for how it picks up off-axis sounds, and it works quite well at limiting the room ambience to what comes off the wall behind you. For my condenser mics I use a portable vocal booth, and while the D5 isn't that isolating, it is a decent compromise. It also seems to have a very low level of handling noise, less of an issue in my workspaces, but noticeably good for such a budget mic. The thing I have a love-hate feeling about is the almost complete absence of a proximity effect. Most of the time I love it, especially if mic-ing up amps, since I get a lot of leeway in mic placement (always bearing in mind the supercardioid directionality it has). Now and then, though, I'd like to just lean in when singing and get a bass lift, and it doesn't seem to happen. If you're used to the Shure SM58 line, you'll know how that can be quite effective when it's necessary, so for some people that may be a deal-breaker. Since I have a fairly light and airy voice this usually isn't important (in fact this mic "likes" my voice!), but the lack of proximity effect means that I don't have that extra artificial reach into the low end when I could really use it. The SM58 gives my voice an option that it doesn't have naturally. Then again, if the D5 was a close-up kind of mic it probably wouldn't have the pop-shield design it has, and go rounded instead. All that said, though, at the price it is a stellar mic, nice and solid, and professionally turned out. Its main physical shortcoming is the lack of an on/off switch, for which you need the D5S instead, but for home/project studio and location work it is less of a problem than for stage because you have other muting options.
D**I
Did lots of research on vocal mics and this beast came in tops. Excellent vocal mic. Very happy with my purchase. Highly recommend you check it out.
A**A
I have two of these since about an year and completely love them.. they are used for the home and are our primary vocal mic.. The performance would be at par with much more expensive mic's and will hold their own pretty much everywhere. On a value perspective, I got a really sweet deal and for that price it undercuts its rivals like the SM55 and the Sennheiser 835 so they are definitely amazing value. On sound, I would say, a 8 out of 10.. it can do whatever u ask you to do but sometimes I feel the lows could be a little better, especially when recording, it shouldnt be a major issue, just a small gripe. Mids and highs are amazing Plus its built very well, feels good in the hand, heavy but not so much that you would feel uncomfortable. If you are looking for a new vocal mic, I would say "go for it".. it's an amazing mic for serious amatuer vocalists...if you want something casual, probably spending so much isnt a good idea so its good value for money as long as you tend to use them
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