Panasonic DMC-FZ50S 10.1MP Digital Camera with 12x Optical Image Stabilized Zoom (Silver)

In the past, I've owned or used several Panasonic Lumix models. All were good digital cameras. The FZ-50, however, is something very special. The Leica approved lens design is, as always, superbly sharp. From a butte with a 50+ mile view, landscapes of wheat fields were crisp and highly detailed and the 10 megapixel images withstood enlargement well. Color fidelity is also excellent though a bit on the muted side: easy enough to quickly correct in any image editing program. The new optical image stabilization (OIS) algorithm which compensates for both hand shaking and subject movement is absolutely brilliant and works incredibly well. The ability to shoot at ISO values up to 1,600 goes hand in hand with the new OIS abilities. No one could resist testing a handheld digital camera in a dim environment at ISO 1600. Needless to say, the images are noisy. But at ISO 1600, what would you expect? Handheld photos shot at 1/20th of a second at ISO 1600 in a dim restaurant were filled with both detail and noise. Remarkably the color balance was very well-handled: the incadescent restaurant lights were recorded faithfully along with the neon and halogen lamplight streaming in through the blinds from outside. Very, very impressive. Much of the noise could be ameliorated in Photoshop or similar programs with appropriate plug-ins. The high-speed capability is well worth the trade for noisy images. Purists may want noiseless images at ISO 1600, but it's unlikely they will ever get it. Practical photographers, on the other hand, will definitely appreciate the capability and undoubtedly will exploit it. Ergonomically, the FZ-50 is practically a work of art. All of the frequently used controls are accessible with the right hand. The enlarged hand grip is just perfect for my large hands and the shutter release is perfectly positioned, something I am not able to say about most of the digital cameras I've used. The electronic viewfinder is sharp and is boosted for low-light focusing. (There is also an AF-assist lamp.) The flip-out LCD may be positioned for high and low angle shooting or reversed for self-portraits. At about 1-1/2 pounds, the FZ-50 is a joy to carry for long periods. The menu system is very accessible and quick and easy to adjust. The few scene modes I tried worked well. Shooting pictures from a car moving at 60 miles per hour worked surprisingly well in the sports action mode. Shutter lag is remarkably slight: the Panasonic Venus III engine lives up to its billing. Response is not up to the level of a Nikon or Canon DSLR, but it is certainly faster than any other midlevel digital camera I've used. Burst rate of about one frame per second are routinely attainable. The FZ-50 will do RAW, but it is on the slow side. Either use an extremely fast SD card or avoid RAW where you need to be prepared for one exposure after another. JPEG files at full resolution (3,648 x 2,736 pixels) are quite good and will withstand, in my opinion, enlargement of about 4 - 5x. I think SD card compatibility may be an issue with 4GB cards. I tried one and the camera refused to boot. A variety of 2GB cards worked without a problem. The battery is rated for 360 shots between images. The test used by manufacturers uses one shot every 30 seconds, I believe. My experience with the battery didn't allow for more than 300 shots before the warning indicator started flashing. I don't know how many more shots I could have gotten, but I would definitely advise having a second battery for this camera. I did not try the movie mode, so I can't comment on that. Overall, the FZ-50 is more than satisfactory in every way. It is not a replacement for a Canon or Nikon DSLR, but is in many ways more satisfying to use. It is lighter than either a Canon or a Nikon; its 12x Leica approved designed lens covers 35 - to 425mm. Image quality is superb and the OIS is fantastic. I would highly recommend the FZ-50 as a travel camera or just for everyday use. Jerry

Hi, Recently i bought this camera since my Sony H2 lost it in South West Airline(Baggage guys opened and took, be careful while travelling, all peoples are same whether they are in rich or poor country) Actually i took many snaps but the clarity is not that much good compare to Sony H2, even when you enlarge FZ50 images are not clear after certain percentage, but my old images are too good. When i open Amazon Box, the Panasonic FZ50 BOX was opened, i am not sure some one did something.

Bought this FZ50 camera from Amazon last week at a good bargin price--477.00. And added some 1GB memory cards and an extra battery. All arrived intact. I've had a Panasonic FZ10 for a few years and it still works perfectly. The FZ series has moved on to the FZ20 and the FZ30--and by the time I got around to thinking of buying a new model, the FZ50 came alone. Recent price made me jump, partly for concern that the model could be discontinued for the next new thing. Having now seen some 90 (so far) digital image from a FZ50 for myself, the noise issue simply isn't there for images shot during daylight at lower ASA sensitivities (100, maybe 200). The little CCD sensor can't be expected to do well at higher ASA settings, but I was surprised at how nice all the test shots turned out. Detail in images shot at 100 ASA is simply grand. The higher telephoto shots show sharp, unimagined detail, without apparent chromatic problems (red, blue, etc. fringing around objects near edges of an image). This improvement over the FZ10, I think, is a result of the Venus III processor, rather than the lens, but all the same the images are very clean and sharp from edge to edge at wide and moderate aperature settings used so far (F3.5 to F5.6). The camera is rich with features, but the best in my opinion is the Focus/Exposure lock botton. The Focus/Exposure lock has three settings in the menu: 1) Focus lock 2) Exposure lock 3) Both focus and exposure lock together Since the auto focus and the manual focus work so well, I selected exposure lock. Because the view finder is a digital image that reflects the exposure one is about to make (with shutter half-compressed), the ability to detect whether the image might be over or under-exposed makes the exposure lock very useful. One only has to find a slightly dimmer or brighter image on which to lock exposure and return to the desired image with a modified exposure setting very quickly. The locked exposure is released when you press the button again. Wonderful feature. This is not the camera to get if you want to reproduce large, smooth prints, though smaller prints up to 11x14 inches ought to look pretty nice. Instead, this camera is a unique, all-in-one-piece, wide to telephoto tool able to capture subjects near and far in wonderful detail. Being an illustrator, this camera is perfect for capturing the nut and bolt resources for future work--be it rabbits, birds, people, landscapes, etc. The Image Stabilization (set in menu to work only when pressing shutter) works very well and greatly helps the very good lens get the best shot--my opinion, anyway, after seeing the first test results. I could clearly read our town's name on a water tower some 3 miles away and was able to take some surprisingly sharp hand-held photos of the moon at full telephoto. Bought this FZ50 for my wife--another one of those Homer bowling ball gift purchases.

I've owned this camera for many years. The Panasonic DMC-FZ50 was released in 2006 and it's showing its age. While it still delivers respectable results, it is not quite on par with Pansonic's latest releases and those from other manufacturers. I'm not sure why it's current cost on Amazon is in the five hundred dollar range, so I would respectfully suggest considering the more advanced Fujifilm X-S1 12MP EXR CMOS Digital Camera with Fujinon F2.8 to F5.6 Telephoto Zoom Lens (24-624mm) . It has a lower price point, a larger sensor, and offers a lot more bang for the buck when it comes to image quality and overall performance. If you are still set on a Panasonic Lumix bridge camera, I suggest looking at the LUMIX DMC-FZ70 16.1 MP Digital Camera with 60x Optical Image Stabilized Zoom and 3-Inch LCD . It is for some reason currently priced much less than the FZ50, and is much more advanced. It or the Fujifilm FinePix S1 are current leaders in the Bridge/Super-Zoom camera category. If you are still set on getting the FZ50 after considering those two options, know that you'll be getting a solid camera with decent image quality and a plethora of features. It is dated however, and the image quality at ISO 400 and above could be better. I believe I purchased mine in 2007 and I've never had a problem with it, so if build quality and dependability is a major factor for you, then rest assured that the DMC-FZ50 delivers. ~ Kort

I was contemplating a DSLR but didn't really want to lay out $1500+ and carry around an extra lens for telefoto. I've been shooting with an SLR for 35 years, even used to have my own dark room so I expect quality in my photos. I need the camera for travel (landscapes and animals) and for shooting my art work for jury entries and publication. The latter need to be high quality. My first digital was an Olympus UZ 730, great camera with 38-380 mm, very lightweight, nice photos except that it was only 3MP. It is very hard to find anything above 8MP with a long zoom. I read the reviews about this Panasonic and I know I made the right choice. I've only had it since November but I already have taken it on a camping/hiking excursion and re-shot some of my artwork. The best was on Jan 2 when the first full moon of 2007 rose over the very reddish Sandia mountains here in Albuquerque. I ran out in the snow and zoomed my lens out to its furthest. The shot is gorgeous! I wasn't so sure about the ability to keep steady but the IS gave me a crystal clear shot. That really convinced me. The menus and dials are very easy to navigate. I like that the zoom is manual and not motorized as was my Olympus. You get more control over it. The battery isn't being used either. I still prefer to use the view finder but the LCD is very nice and large and the ability to swivel is great. I have a friend who spent close to $5000 on one of the NIkons and its so cumbersome she doesn't want to carry it around. I admit, the Panasonic is heavier than I would ideally like but there's no way to get that much zoom and MP in a smaller body. I generally like to manually adjust my settings but I tried the "snow" setting last week after we had the record breaking 2 feet of snow and the color and light were just right and it was still early in the morning. I highly recommend this camera to anyone who wants more than point and shoot but why spend thousands on a DSLR when this one does it just as well. With my Olympus 3MP camera, I was able to enlarge the high res shots to 11 X 14 so with this Panasonic, I'll feel very comfortable enlarging even more and submitting for publishing. Also, I almost got conned into buying from a "cheap" web site but it's classic bait & switch. The low price they quote doesn't include a battery and charger and they want $150 for those. So glad I bought from Amazon. Got a good price on a second battery too.

I made the mistake of ordering this camera to substitute buying a pro camera. The color and noise was terrible. If you want a great point and shoot camera get the Canon powershot s50 while they are still available. The camera has pro features, it was so good they stopped making it because it should have been in the pro camera line at a much higher price tag. If you want to see s50 pictures go to [...] and search my gallery Cathreen Styles. All most all of the pictures in the gallery were taken with the s50. I am going to buy another just to have when mine breaks. By the way, I did end up buy a pro camera, mainly because of the look. I got the Canon 30d and love it!

I think, this Pana. FZ50 is the best camera that you can get, if you do not want to own a SLR. I gave it a three stars, because it does not take AA battery.

This camera is barely OK for a point and shoot that is built to look like a DSLR camera. I've had mine for a couple of years now and have used it on a few trips and vacations. I had hoped that because this fell in the moderate price range and it had manual operation it would be a good tool to teach myself more advanced shooting before I spent the big bucks on a DSLR. I found the features difficult to access through the menu. Get yourself a translator for the manual. The pictures are OK but not great. Various lens extensions I have bought are very ineffective and difficult to mount. AND HERE"S THE CLINCHER AND WHY I DECIDED TO WRITE THIS AFTER 3 YEARS!! The LCD screen quit on me with only very limited use but after warranty coverage. Panasonic tells me it has to be sent to a repair location half way around the country from where I live. I can't contact anyone at the facility, there is no direct number. Panasonic can't provide ANY tech support or advice through customer service and has no other way for recent but non warranty covered customers to get any help. Oh yeah, they said contact Walmart (not) or Best Buy because they have Panasonic Certified Tech's. BB won't touch it because I didn't buy it there. Finally Ritz camera offers a repair option that starts at $269.00 for this camera. They are simply the middleman. So if you buy this and it holds up, congratulations. I don't recommend it because of what I described. If you're just starting out get yourself a Canon PowerShot SX 100 IS or something similar. I bought my wife one and she still uses it for graphic work and gets great pleasure from the ease of use and great pictures. Panasonic has gone the way of most companies we grew up with and trusted, right down the tubes.