Painting Brilliant Skies & Water in Pastel: Secrets to Bringing Light and Life to Your Landscapes
S**S
Important Book on Pastels for Your Art Studio Library
YES, this book is worth purchasing. It is a brilliant book offering you great instruction, insight and inspiration using pastels. The author starts out telling you how to get started in pastels, and goes way, way beyond that. A book for all levels. Techniques are shown and described. Value studies, simplifying shapes, underpainting techniques, painting mood, and lots more.THE SKY sets the mood in a painting, and the author,Liz Haywood-Sullivan fully explains the importance of the sky in the landscape. She uses photos of her beautiful pastels with clear descriptive wording. Photos show the wrong way and the right way to do cloud formations. Liz shows how to apply clouds to the sky in step by step instructions; tells you what blues are best to use, how to paint the changing light and changeable sky,the drama of sunrise and sunset skies, and moonlit skies.WATER is often in landscape paintings and if you wish to learn how to do water well in a landscape painting, then this book will explain and show you how to do it well. Again, there are photos showing the wrong way and the right way of painting believable reflections in the water and aerial perspective. Find out how to paint water from still water, moving water,falling water, the ocean, as well as painting fog, painting rain,transparency in water. Gorgeous photos of her work in the book telling also what type of pastel papers or boards were used and pastels.Don't miss out on this book and what you can learn from the author.
B**R
What’s not to love?
If you love Liz Haywood Sulivan’s pastel paintings, this beautifully illustrated book is full of valuable demonstrations showing how to develop a good composition and use color to create the various effects of light, shadow, and season. Also shows types of mark-making, and their effect on the painting . Also includes helpful information about perspective, choosing underpainting colors and creating a realistic feeling of depth when painting scenes in nature.
P**!
Very comprehensive book.
Book spends a lot of time covering basic art principles. So if you like to refresh yourself in these areas it is good. Some things that she covers are explicitly related to sky, land and water representations. Which is great coverage of these areas. Also step by step building up of the pastel medium from the background forward. I am pleased with the beautiful art work it includes. This is a a keeper for my art library. Just a nice book all around.
H**K
Excellent book and teacher
I have purchased several books from Amazon on pastels based on reviews. I'm new to pastels and like a lot of folks, I'm looking for that magic bullet! I've been able to grab tidbits of useful information from some of the books but seem to be left with unanswered questions or pretentious concepts such as, "you need to learn to see". Thank you for that useful bit of info!!!I want to thank Liz Haywood-Sullivan for writing this book. A fantastic artist and wonderful teacher. She provides a full demonstration of technique and her method is totally approachable. Most of the other books left me with more questions than answers. Liz knows the questions we need to go to the next level. Finally, someone who provides a well thought out explanation and demo of the underpainting. Do yourself a favor and add this book to your library, you won't be disappointed.
D**E
Great for Someone With Prior Knowledge
For about six months, I've been painting with pastels, and I've sunk serious money into a diverse pastel library. First and foremost, I want to stress to new artists that as a beginner, you will usually glean far more from a person/teacher than a book. Finding useful pastel books has been an expensive and uphill battle for me. However, for a serious pastelist with some experience under her belt, I feel I can recommend 'Painting Brilliant Skies & Water in Pastel'.The book is divided into several sections and chapters: the importance of sky in landscape; the importance of water in landscape; getting started with pastels; what is aerial perspective; landscape sky; water in the landscape; the integrated landscape: sky and water together. This book serves an important purpose because so many pastelists are landscape artists, and while one would think it's easiest to ruin a field, trees, or flowers, the sky sets the mood for the whole painting and the water usually reflects whatever is in the sky to some extent. It's important to get a handle on these aspects early on in order to paint effectively and beautifully. By starting with the basics such as figuring out the composition, teaching you about tones and values, and the importance of an underpainting, this book is a great primer course on creating a successful painting. After establishing the basics, it takes the reader through a variety of different skies (clear, starry, sunset, etc.) and water (still, moving, falling, waves, etc.) There are sections throughout which illustrate something painted correctly versus actual incorrect examples. This is the first book I've found which offers these helpful gems. There are several demonstrations throughout as well, but bear in mind that these step-by-step pictures are going to be too basic for a lot of beginners.There's a learning curve to pastel which most books can't successfully navigate. This book comes as close as most books can to helping with that learning curve. The fact is, someone who is advanced beginner or intermediate will glean far more from this book than a rank beginner. A book can't really teach you how to make the marks you want to make. Painting takes lots of dedication, experimentation, and practice. The author is most assuredly not giving away her painting secrets in this book; she's giving the reader knowledge about painting realistic skies and waters. This book is very thorough, and it covers a gap in pastel books which sorely needed filling. Although I hesitate to speak too glowingly of any art how-to book, I think I can confidently say that out of the twenty or so books I own on pastel, this is hand's down the best.What could be better? For starters, some of the illustrations are black-and-white sketches or notans. This could be off-putting to some, but with some experience under my belt now, they were helpful to me. The step-by-step demonstrations, as mentioned above, give you an idea of how to paint, but they won't show you how to layer color by color to make a beautiful, interesting painting; that work is left up to you by carefully studying each step. The book's paper is simply unfortunate. The cheap matte paper used in the paperback kills some details of the painting process which would be more noticeable on thick, glossy paper.With reasonable expectations about what you are buying and some prior knowledge, this pastel book is a must-have. Recommended.
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