Lichen Dyes: The New Source Book (Dover Crafts: Weaving & Dyeing)

Great condition. Very helpful concepts.

This is a great little book for anyone wanting to learn more about working with lichen dyes. I read through it once and have used it several other times for reference information. Although the topic is about lichens, I have found the information within a great starting point for experiments with other botanical materials.

THE current resource for successfully using lichens for natural dyeing. In addition to descriptions of lichens most used for dyeing and their history, the tables are most informative. Annotated bibliography is great source of additional information on lichen dyes and traditional recipes. However, as the author points out, to IDENTIFY lichens species described in the text that can be used for dyeing, a detailed field-guide to lichens taxonomy is ESSENTIAL.

This is a decent guide to dying with lichens. It is a very condensed presentation of the author's academic and practical research on the topic over many years. In terms of topics considered, the book is quite varied. It begins with a preface on ethical collecting of lichens. Next comes 10 common questions about dying with lichens covering such topics as "Will lichen dyes fade?", "How many lichens does it take to dye something?", and "How can I avoid collecting rare lichens by mistake?". Following this are short chapters on the history of lichen dyes in Asian, European, and American cultures. Then there is a very practical chapter describing in detail methods and recipes for lichen dyes, together with a list of common lichens used for dyes, grouped by dye method, and specifying final colors that can be achieved. One of the author's pet topics is ecodyeing, and she has developed techniques for dying that are less harmful to the environment than traditional methods, and she devotes a chapter to describing some of her alternatives. The last full chapter covers ethics of lichen dying and lichen identification. The book ends with a 15 page annotated bibliography. There is also an index. The only photographs in the book are the ones printed inside the front and back covers.Overall, I found this book to be clear and very well researched. I'm quite fond of lichens, but I have no background in the dyeing field. The author seems to forget how little some of her readers, such as myself, may know about natural dyes. She uses words like "mordant" without definition. Certainly, if you are already an experienced dyer, such words and their corresponding concepts will already be familiar to you. But if you are a rank beginner like myself, you might want to find another, more basic book, or seek some instruction before trying out the instructions in this one.The author works exceptionally hard in this book to convince readers that lichen collecting for making dyes is not necessarily a bad thing. Again, she overlooks the fact that some readers may come to her book completely unfamiliar with the controversy that she is trying to argue with. To make the issues more clear for the reader, it might have been useful to lay out the arguments against collecting lichens explicitly, enumerating explicitly what kinds of environmental costs may be involved. Her advice to lichen collectors sounds valid, however. She stresses above all, looking for "found" lichens, lichens that have blown off or become detached from their substrates and are lying on the ground, or collecting from sites that have been recently logged and consequently have great quantities of detached lichens on the ground. She also cautions against lichen collecting in groups, or taking more than 10% of a single lichen species from any one location. One obvious point that she makes is that you should consider your color needs carefully before you make your dye pot- -for example, there is no need to use lichens to make a simple brown dye, since browns can be had so easily from other materials. She also points out that you don't need to fill your pot with specimens from just one species- -think about the color you are trying to achieve, and you can mix lichens of different species to get that color. If you follow her recommendations, it sounds quite plausible to be able collect lichens ethically, and using her instructions, you should have some success with your dyes.

Very useful book for those who are exploring the world of dye baths.

This little paperback is one of the few books for lichen lovers, and I have the author's other book. I refer to them (as well as a couple other books) whenever I am looking to lichen dye. Clearly written, and full of important information.

There tare no photos to show what all the lichen look like. Not a helpful book

Collecting lichens and mosses for dyeing is a hobby and this book gives a good resource for me to follow to get colors I would like to add to my collection of dyed yarns.Thank-you!

It's a really useful book on how to extract dye from lichen. If I had one complaint, and it's only minor, I would have liked some more photographs.

Super disappoinring. NO PHOTOS, means no possibility to identify lichens in the wild.

A good synthetic work giving a detailed overview on the topic. It goes straight to the point, you don't lose your time, read very easily, well structured. To have in a library.

More of a meta-study with recipes, than a guide, this book covers the history and modern methods of dyeing with lichens. The author constantly cites her references, and boy does she have a lot of references. This is the perfect book for someone just beginning an in depth academic study, or the textile hobbyist interested in making pretty colours.My most favourite thing about this book is that the author advocates selvage botany. That is she discourages people from harvesting huge amounts in a non-sustainable way, but rather encourages you to pick up blow-down pieces of lichen, or to harvest from places that are about to be cleaned (like lichen off a gravestone or old building for example). The recipes require very little lichen, about 1 cup full for most. There are also instructions for Y.O.U. (your own urine) and low ammonia fermented lichen dyes, for those interested in more ecologically friendly methods.Recipes covered include: mordanting with lichen, boiled water dye method, ammonia dye method, Y.O.U. method, and low ammonia method. Some of these methods take at least 15 weeks, so start early.The frustrating thing for me is that the author uses botanical names for the lichens and assumes that we either know what she is talking about or have a big thick tome of lichen classification next to us to look it up. This is fair enough I suppose as she's writing for people all over the world, but as I live in a place where the lichen classification is incomplete, it makes things more difficult. HOWEVER, when it comes to her recipes, she's far more causal about classification, instead encouraging people to experiment with small batches, see what happens, and keep records.Casselman is perhaps the leading expert on dyeing textiles with plants, especially lichens. Reading anything by her is well worth it and this tiny book is overflowing with information. It takes up hardly any room on my shelf, but is the one dye book I refer to most often.

Essential reading if you want to experiment with lichen dyes. The author has great experience and knowledge. Clear instructions for methods and ethical guidelines. But it does not cover identifying lichens, which is vital - you'll need another book for that. Probably to keep the cost down, the only pictures are on the inside and outside of the cover.