Behind the Glass: Top Record Producers Tell How They Craft the Hits
M**N
Great resource for wanna be Producers & Engineers
This book is a collection of interviews by some of the best engineers and producers in the business. The content within the interviews reflect the personality of the person being interviewed, which makes for a great balance between those that love techspeak and those that need to understand the soft skills involved in capturing killer performances by artists. Topics covered include the differences between US based engineers and producers vs. their UK counterparts (the latter prefers to print effects to tape directly if things are working.) Another set of questions the interviewer regularly asks are related to project/home studios and the comparisons between the those environments vs high end studios. The responses are candid and enlightening.If I could sum up best info in the book is that ALL of the interviewees restate the same thing- there are tons of variables but critical to great recording results falls mostly to good mics and the use of dedicated mic pre amps.Other takeaways:- Rooms obviously color the flavor of the recording- Mic placement varies as much as the choices of mics- Digital vs. analog debate still continues, but good recordings fundamentally result from choosing technologies that you believe are the magic sauce to laying good tracks and understanding their weaknesses to compensate accordingly- Capturing a great performance is far more important than technically perfect recordingsThis is another book that provides more fuel for your gas tank!
A**N
This is an amazing book.
If you're anything like me, you've been searching for that elusive pro sound, but even with the advanced tools available in programs like Pro Tools and Studio One, your mixes still seem to come up short. You've probably tried every trick in the book; parallel compression, parametric equalization, multi-band compression, side-chain manipulation, M/S encoding, double-vocals, double-guitars, and on and on....This book and its' sequel will open the floodgates. You'll see that some producers don't use any tricks at all, while others use enough gear and plug-ins to power a spaceship. Some producers do their own engineering while others couldn't even tell you what a decibel is, but they all have one thing in common; THEY DON'T USUALLY CREATE THE SOUND, THEY CAPTURE AND MANIPULATE WHAT IS ALREADY THERE!!Here's the dirty little secret; there are very few magical, fix-it-in-the-mix tricks, and your gear/plug-ins will only take you so far. Whatever you record, it has to sound good before you record it. These guys focus on the material, the performers, the performance, the arrangement, the quality of the sound, microphone selection and placement, which amp to use etc... THE MIX IS DEAD LAST. When properly arranged, performed, and recorded, most songs practically mix themselves!!Many of us don't want to hear that, hoping instead for a list of magical EQ frequencies, or FX chains, that will somehow turn lead into gold, but there is no such thing. What this book (and its' sequel) offers you is this; a look into the minds, philosophies, and thought processes that go into capturing and producing pro-quality music. There are plenty of books which reveal mixing "secrets" and "tricks", and those certainly have their value, but there are far more important things to consider, and these books deliver.Think about this, if those mixing "tricks" are so important, then how come so many producers don't use them at all (or very little)?
T**H
Must-read for the Aspiring Producer, despite some technical references being out-dated.
This book is AWESOME. It's written around the turn of the century, so a lot of the technological references to DAT's, etc., are out of date (Howard Massey would do well to publish a new edition.) However, the amount of wisdom and experience that is shared from a broad range of the greatest producers of all time makes it a must-read for any aspiring producer or engineer.
K**G
Good point of reference
It's always interesting to read what others have to say about the art of audio engineering and production. While I had hoped there would be a few more moments of "oh yeah, I need to try that", it's really quite reassuring to read that I am using the same tools, techniques, and tricks as these folks - who just incidentally have countless hits among them.What I find most interesting about the folks interviewed for this book is that they do it for the love of the art, not the money or the fame or anything else. It's all about the music. And at the end of the day, perhaps that's the main reason why they've achieved their level of success.
C**D
Great read for the home studio producer
Great, in-depth interviews with insightful producers. Yes, this was published in 2000 but a lot of the same ideas still apply. Many conversations deal with the home studio, contrasts between analog and digital, and techniques. A great read for anyone interested in home recording.
P**R
Very informative.
Such a great book. Wonderful insight from amazing, world class engineers and producers. I learned a great deal from this book. Lots of tips and a wealth of wisdom. A central theme is it's all about the song, first and foremost, everything else is second, gear, equipment, etc...
M**A
Amazing book of interviews by amazing a world renowned and ...
Amazing book of interviews by amazing a world renowned and legendary producers and audio engineers. A hidden gem in the book that makes it worth the money is all of the tips, tricks, tidbits, industry styles and "Secrets" that the interviewee's talk about and reveal. I would buy both books in the series I did and I am glad I did.
D**B
Hubby loves it!
Birthday gift for him. He is not a reader however this book he is reading and refers back to it as he works on his own songs.
D**É
loooong voyage difficile
reçu en mauvais état : couverture pliée, livre cabossé...
J**R
Buen libro
Buen libro, quizás algo repetitivo al final. Se pueden sacar unas cuantas idea útiles respecto a la grabacion y utilización de micrófonos. La lástima es que se hable tanto del DAT que ahora mismo esta en deshuso totalmente. Quizás sea mejor pedirlo prestado y leerlo ya que no lo veo como un libro de consulta o referencia.
D**O
Perfetto
Spedizione perfetta, prodotto intatto.Il libro ancora da leggere, ma sembra molto interessante.Consiglio a tutti i fonici e musicisti dinamici.
J**E
Highly Recommended!
There are great insights offered in the various interviews. I highly recommend this book.
P**N
just a little bit amazing
Do you guys wanna learn about the crafts of world famous producers?! how they make there hits, how each and everyone of them have their individual techniques that make them so unique!? One producer may love doing things this way... then the next completely different... Well, BUY THIS BOOK!!Its seriously great, i do some home recording and the methods in this book come into use often!
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