Britain wasn't on its own in having a thoroughly miserable 1973: O Lucky Man! and Badlands both found a great year to premiere, while Watergate brought America to a new low. But America didn't still have back-to-backs and outside bogs. Tens of thousands of Britons remained housed in wartime pre-fabs and sub-standard dwellings. The bright new colours of the post-war Festival of Britain and Harold Wilson's talk in the 60s of the white heat of technology now seemed very distant as strikes, inflation, and food and oil shortages laid Britain low. What had gone wrong? And what did pop music have to say about it? With perfect timing this album soundtracks Britain on the brink of chaos. It includes lost masterpieces (Phil Cordell's Londonderry), gritty singles by the new names of the early 70s (Mungo Jerry's Open Up, David Essex's Stardust) and forgotten gems by some of the biggest names of the previous decade, now struggling to make themselves heard (the Kinks When Work Is Over, the Troggs I'm On Fire). Sometimes the approach was tongue-in-cheek (the Strawbs Part Of The Union), other times it was the sound of sheer frustration (Mike McGear's Kill), and occasionally it was angry enough to incur the wrath of special branch (Hawkwind's banned Urban Guerilla). Mostly the sound of these records evokes the feeling of nights in with only candles to light the house and TV closing down at 10pm: the empty spaces of Adam Faith's In Your Life; the fuzz guitar minimalism of Ricky Wilde's Hertfordshire Rock; Climax Chicago's alternative lifestyle-musing Mole On The Dole. Compiled by Bob Stanley and Pete Wiggs, Three Day Week follows on from their highly acclaimed English Weather, Paris In The Spring and State Of The Union compilations. It amplifies the noise of a country which was still unable to forget the war, even as it watched the progressive post-war consensus disintegrating. We hear shrugs and cynicism, laughter through gritted teeth, melancholy, and a real anger that would rise to the surface with punk a few years later. This 180g clear vinyl LP with deluxe gatefold sleeve features two extra tracks.
P**T
The First Cut Is The Deepest
I’ve read great reviews of all the titles put together by Stanley & Wiggs & this was a great introduction to the series for me. This double LP contains 28 tracks over 4 sides & I only knew one track before (Rod Stewart’s version of Sailing), though I recognized many of the bands (The Kinks, The Troggs, Hawkwind). There’s a diverse range of musical styles on the album, but all the songs from the early seventies reflect the theme of economic turmoil in the UK at the time. There are informative notes on the inner gatefold & the clear vinyl discs were immaculate& sound great. This record was packed safely in a sturdy mailer with two other records & they all arrived from the UK only one week after I bought them. This was my first time buying from this seller & my first time buying vinyl online & I was very impressed.
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