MXL Mics R144 Ribbon Microphone, Blue, Large

Excellent. Very nice perfomence.

I love it.The recording sounds dull but natural which allows more audio signal processing of the Ribbon Mic's Audio Signals

Un micro qui rempli parfaitement sa fonction. Excellent rapport qualité/prix !

I am absolutely blown away by the performance of this microphone for the price. Sounds amazing for vocals, guitar, and wind instruments. The gorgeous metallic finish also looks amazing and stays clean.It comes with a nice carry case but the shock mount is of very low quality. Not a big deal though to be honest since it was basically a free add-in so I won't let it affect the rating. That being said I'll be upgrading this mount at some point when (not if!) it breaks.Ribbon mic tip: DO NOT use phantom power with this and always use a pop filter or you'll be sorry!

Looked and felt lovely, but unfortunately was dead out of the box. (serves me right for buying a secondhand ribbon mic, I suppose).Still trying to make up my mind whether to return it or attempt a self-repair. I'm guessing it's probably just a loose or torn ribbon, and I'm still weighing the odds on if I should actually open it to find out, or not . . . . but then, of course if I do, then committed to all the ensuing palaver, and then can't return it!Decisions . . . decisions!

Optisch ist alles einwandfrei. Das Mikrofon lässt sich an einfachen Mischpulten (ohne Vorverstärker) allerdings nicht betreiben. Es enthält nur einen passiven Transformator, die Ausgangspegel sind sehr gering. Darauf wird in der Artikelbeschreibung nicht hingewiesen. Es ist für Sprache und Gesang wegen der erforderlichen Schalldrücke nur bedingt einsetzbar. Im Betrieb hat es allerdings sehr wenig Rauschen und Nebengeräusche, deshalb 3 Punkte.Edit 1 Punkte: im Nachhinein 1 Punkt. Nachdem es auch an Vorverstärkern immer zu leise war: ich öffnete das Mikrofon jetzt mal. Das Bändchen hängt leider nicht gerade zwischen den Magneten, sondern ist ein einer Stelle verdreht. Das dürfte der Grund - neben vielleicht noch anderen Mängeln, die bislang unentdeckt blieben - gewesen sein für die doch deutlich zu niedrige Empfindlichkeit. Das hätte der Support damals erkennen müssen ! Ich baue jetzt eine andere Mikrofonkapsel ein, was die Probleme hoffentlich löst. Denn wie schon beschrieben ist das Mikrofongehäuse ordentlich gemacht.

I bought this microphone, it was not a review item or gift.This ribbon mic is one of the best bargains available if you have the right set-up to use with it. On it's own you might find the microphone sounding low in output level and dull in the higher frequencies, but plug it in to a good preamp like an API 312, then into a good equalizer like the Warm Audio WA-EQP, then into a good compressor like the UA 1176 and finally into your DAW or other input.....are you still with me? This microphone provides an amazing sound that you can work with and shape into a truly stunning final output with a little signal processing.I own over 50 microphones, many are vintage AKG classics. I've also built my own LDC microphones using high quality components, many of my custom microphones started as MXL 2001; with mods they easily compete with or exceed Mojave microphone performance for less than 50% of the M.A.P. price.I own a Royer R-121 ribbon microphone, it's pretty much the industry standard for ribbon instrument microphones. I often use this microphone with a Grace m-801 preamplifier set in the ribbon mode, this feeds an equalizer and compressor into an Apogee audio converter. I'm mic'ing four different Marshall 4x12 cabinets filled with Celestion speakers, driven with Mesa Boogie Dual Rectifier amplifiers or vintage Marshall 100-watt clones. The speaker cabinets are contained in two different isolation rooms at the rear of our studio, this gives us an excellent perspective on the raw sound of these microphones in the control room.The new MXL R144 ribbon microphone is unmodified at this point, this is my first encounter with this particular low priced MXL model.I've recorded some male vocals with it and I've had it mounted up next to a 4x12 and I can say it has that smooth natural response, similar to the Royer R-121 in ribbon sounding character. Both of these microphones sound much better with EQ and compression.I've never cared for the R-121 for vocals, but with EQ and compression I like the MXL R144 as a very natural sounding vocal mic with big bass when used close up, smooth is the keyword to describe the sound. You can hit these ribbon microphones with a lot of high frequency boost and they never sound piercing.The R-121 has a slightly brighter sound from the rear when used closeup to the source, I have not really heard a similar effect from the MXL R144 but with the WA-EQP equalizer the R-144 sounds incredible, you can contour the overall frequency response to be whatever you want and it never sounds harsh, strident or piercing like all the cheap Chinese large diaphragm condenser microphones do. It is this characteristic of ribbon mics in general, that they take lots of high frequency boost really well, which makes them so popular for recording, their frequency response is smooth and un-hyped, very different from a bright dynamic microphone like an SM-57.I wanted to test this microphone out before ordering a second one to modify and customize. I need one factory stock piece to compare my modified creations to. I'm enjoying it un-modded right now, it sounds great!If I was going to complain about anything it would be the shock mount, the handles you squeeze to open the shock mount stick out a little too far and could interfere with achieving an optimum position when used up-close. On the bright side, it includes a nice shock mount, it's not the best but it's effective and it's included in the $88 Prime delivered price! A nice plastic carrying case is also included, it is foamed lined and die-cut to hold the microphone and shock mount. I prefer this small case to another brief-case size carrying case taking up space in my warehouse area.I've had my Royer R-121 since 2007, never had to have the ribbon replaced, I've taken care of it. For the price I paid back then I could buy 11 of these MXL and still take my beautiful GF out to dinner at a nice place. If I'd had one of these MXL in the first place I probably would not have bought the Royer, I'd much rather put any $$ saved into more signal processing like the WA-EQP and my latest find, the WA76. These are stunningly good sounding pieces of audio equipment.For less than $100 I don't think you can beat this MXL R-144 for a ribbon microphone. Good music to all!UPDATE: I still like this mic after a year of use. I hate describing tone with words but I'd say this mike has a bit of gravely-distortion when used close up, it's not a bad thing. I would not describe this microphone as high-fidelity, it's got gnarlyness and personality. When I venture outside the usual suspects this MXL ribbon is always a fun stop along the way. It's still a bargain. I still haven't gotten around to modding it either. I've got the Royer when I need a hi-fi ribbon, I kind of like the MXL being crude and a little nasty, it's fun tool in our rock recording studio.