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It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was crushed under the weight of the anti-crime Dent Act. But everything will change with the arrival of a cunning cat burglar with a mysterious agenda. Far more dangerous, however, is the emergence of Bane, a masked terrorist whose ruthless plans for Gotham drive Bruce out of his self-imposed exile. But even if he dons the cape and cowl again, Batman may be no match for Bane. Extra Content Of all the "most anticipated" movies ever claiming that title, it's hard to imagine one that has caused so much speculation and breathless expectation as Christopher Nolan's final chapter to his magnificently brooding Batman trilogy, The Dark Knight Rises . Though it may not rise to the level of the mythic grandeur of its predecessor, The Dark Knight Rises is a truly magnificent work of cinematic brilliance that commandingly completes the cycle and is as heavy with literary resonance as it is of-the-moment insight into the political and social affairs unfolding on the world stage. That it is also a full-blown and fully realized epic crime drama packed with state-of-the-art action relying equally on immaculate CGI fakery and heart-stopping practical effects and stunt work makes its entrée into blockbuster history worthy of all the anticipation and more. It deserves all the accolades it will get for bringing an opulently baroque view of a comic book universe to life with sinister effectiveness. Set eight years after the events of The Dark Knight , TDK Rises finds Bruce Wayne broken in spirit and body from his moral and physical battle with the Joker. Gotham City is at peace primarily because Batman took the fall for Harvey Dent's murder, allowing the former district attorney's memory to remain as a crime-fighting hero rather than the lunatic destructor he became as Two-Face. But that meant Batman's cape and cowl wound up in cold storage--perhaps for good--with only police commissioner Jim Gordon in possession of the truth. The threat that faces Gotham now is by no means new; as deployed by the intricate script that weaves themes first explored in Batman Begins , fundamental conflicts that predate his own origins are at the heart of the ultimate struggle that will leave Batman and his city either triumphant or in ashes. It is one of the movie's greatest achievements that we really don't know which way it will end up until its final exhilarating moments. Intricate may be an understatement in the construction of the script by Nolan and his brother Jonathan. The multilayered story includes a battle for control of Wayne Industries and the decimation of Bruce Wayne's personal wealth; a destructive yet potentially earth-saving clean energy source; a desolate prison colony on the other side of the globe; terrorist attacks against people, property, and the world's economic foundation; the redistribution of wealth to the 99 percent; and a virtuoso jewel thief who is identified in every way except name as Catwoman. Played with saucy fun and sexy danger by Anne Hathaway, Selina Kyle is sort of the catalyst (!) for all the plot threads, especially when she whispers into Bruce's ear at a charity ball some prescient words about a coming storm that will tear Gotham asunder. As unpredictable as it is sometimes hard to follow, the winds of this storm blow in a raft of diverse and extremely compelling new characters (including Selina Kyle) who are all part of a dance that ends with the ballet of a cataclysmic denouement. Among the new faces are Marion Cotillard as a green-energy advocate and Wayne Industries board member and Joseph Gordon-Levitt as a devoted Gotham cop who may lead Nolan into a new comic book franchise. The hulking monster Bane, played by Tom Hardy with powerful confidence even under a clawlike mask, is so much more than a villain (and the toughest match yet for Batman's prowess). Though he ends up being less important to the movie's moral themes and can't really match Heath Ledger's maniacal turn as Joker, his mesmerizing swagger and presence as demonic force personified are an affecting counterpoint to the moral battle that rages within Batman himself. Christian Bale gives his most dynamic performance yet as the tortured hero, and Michael Caine (Alfred), Gary Oldman (Gordon), and Morgan Freeman (Lucius Fox) all return with more gravitas and emotional weight than ever before. Then there's the action. Punctuated by three or four magnificent set pieces, TDKR deftly mixes the cinematic process of providing information with punches of pow throughout (an airplane-to-airplane kidnap/rescue, an institutional terrorist assault and subsequent chase, and the choreographed crippling of an entire city are the above-mentioned highlights). The added impact of the movie's extensive Imax footage ups the wow factor, all of it kinetically controlled by Nolan and his top lieutenants Wally Pfister (cinematography), Hans Zimmer (composer), Lee Smith (editor), and Nathan Crowley and Kevin Kavanaugh (production designers). The best recommendation TDKR carries is that it does not leave one wanting for more. At 164 minutes, there's plenty of nonstop dramatic enthrallment for a single sitting. More important, there's a deep sense of satisfaction that The Dark Knight Rises leaves as the fulfilling conclusion to an absorbing saga that remains relevant, resonant, and above all thoroughly entertaining. --Ted Fry Review: Best film of 2012 - For me this is easily the best movie of 2012. Im not a fan of Bond anymore so I cant speak for that. Avengers was awesome and Bourne legacy was good though not a patch on the original trilogy. This though has it all, a thoughtful story of redemption, action and a fitting end to the best superhero reboot of them all. I have to confess on first viewing I was sceptical. The hype was huge and I got swept along. That is always a recipe for disaster where anything less than perfection leaves you feeling cheated and since everyone will want something a little different you will never make everyone happy. I also felt the film seemed to plod in a few areas but miss out vital months where you would have liked to see what led to events. As it is I suspect a lot of cuts were made as this still runs at over two and a half hours. These films are the thinking persons superhero movies. A normal person made super through gadgets and a drive to go beyond the normal confines of dealing with problems. The acting is spot on, the soundtrack is one of the best applications since Gladiator. For a classical score it is rousing and gets the adrenaline pumping or fuels emotion. Its one of few recent soundtracks where I will hear part of the main theme on tv and instantly know where its from. The action sequences are superb. At first I was critical that they seemed slower but this is in context as our hero is getting older, he is nearly out of steam and this is his chance for one last push against someone faster, stronger and more violently driven. I was resentful that my hero seemed to be made to look stupid and weak but this is all necessary for his final redemption. Then there is the message that has underpinned the whole trilogy 'Batman is a symbol' and once you remember that you appreciate the setup. For me, Christopher Nolan has made a superb trilogy that can not be beaten. Yes there were a few things that could have been slightly improved but once you start going back and altering films you end up with the mess that is the current version of Star Wars. It should be left alone now, no more reboot attempts like Spider-Man. In many ways these films have followed the original Star Wars trilogy - Batman Begins was a breath of fresh air, the Dark Knight was the trilogy's 'Empire Strikes Back' - dramatic sobering and emotional, THe Dark Knight Rises is the swan song that whilst not as strong or complete as the others, draws the curtain in a satisfactory way. Dont watch it with stupidly high expectations and you will enjoy it. Some have criticised the transfer but I thought mine looked very sharp compared to the DVD. Review: Brilliant Buy - Super fast delivery, really happy with this - bought as a gift for family. Thank you










































| Contributor | Anne Hathaway, Christian Bale, Christopher Nolan, Cillian Murphy, Gary Oldman, Joseph Gordon-Levitt, Liam Neeson, Marion Cotillard, Michael Caine, Morgan Freeman, Tom Hardy Contributor Anne Hathaway, Christian Bale, Christopher Nolan, Cillian Murphy, Gary Oldman, Joseph Gordon-Levitt, Liam Neeson, Marion Cotillard, Michael Caine, Morgan Freeman, Tom Hardy See more |
| Customer Reviews | 4.6 out of 5 stars 7,405 Reviews |
| Format | Blu-ray, PAL, Subtitled |
| Genre | Action & Adventure, Drama, Mystery & Suspense/Thrillers |
| Language | English |
| Manufacturer | Warner Home Video |
| Number of discs | 1 |
| Runtime | 2 hours and 45 minutes |
R**2
Best film of 2012
For me this is easily the best movie of 2012. Im not a fan of Bond anymore so I cant speak for that. Avengers was awesome and Bourne legacy was good though not a patch on the original trilogy. This though has it all, a thoughtful story of redemption, action and a fitting end to the best superhero reboot of them all. I have to confess on first viewing I was sceptical. The hype was huge and I got swept along. That is always a recipe for disaster where anything less than perfection leaves you feeling cheated and since everyone will want something a little different you will never make everyone happy. I also felt the film seemed to plod in a few areas but miss out vital months where you would have liked to see what led to events. As it is I suspect a lot of cuts were made as this still runs at over two and a half hours. These films are the thinking persons superhero movies. A normal person made super through gadgets and a drive to go beyond the normal confines of dealing with problems. The acting is spot on, the soundtrack is one of the best applications since Gladiator. For a classical score it is rousing and gets the adrenaline pumping or fuels emotion. Its one of few recent soundtracks where I will hear part of the main theme on tv and instantly know where its from. The action sequences are superb. At first I was critical that they seemed slower but this is in context as our hero is getting older, he is nearly out of steam and this is his chance for one last push against someone faster, stronger and more violently driven. I was resentful that my hero seemed to be made to look stupid and weak but this is all necessary for his final redemption. Then there is the message that has underpinned the whole trilogy 'Batman is a symbol' and once you remember that you appreciate the setup. For me, Christopher Nolan has made a superb trilogy that can not be beaten. Yes there were a few things that could have been slightly improved but once you start going back and altering films you end up with the mess that is the current version of Star Wars. It should be left alone now, no more reboot attempts like Spider-Man. In many ways these films have followed the original Star Wars trilogy - Batman Begins was a breath of fresh air, the Dark Knight was the trilogy's 'Empire Strikes Back' - dramatic sobering and emotional, THe Dark Knight Rises is the swan song that whilst not as strong or complete as the others, draws the curtain in a satisfactory way. Dont watch it with stupidly high expectations and you will enjoy it. Some have criticised the transfer but I thought mine looked very sharp compared to the DVD.
A**R
Brilliant Buy
Super fast delivery, really happy with this - bought as a gift for family. Thank you
J**E
The Dark Knight Rises Steelbook
I'm guessing that plenty of people reading this review will have seen this movie and know how fantastic it is. If you haven't, then make sure you watch the first two films before this one - as an end to the trilogy it is brilliant. While it can be viewed as a standalone film, it makes MUCH more sense after you've seen Batman Begins and The Dark Knight, and can be appreciated all the more as a splendid piece of filmmaking. Onto the Blu-Ray itself. The picture quality is absolutely fantastic - this is the best of the films to get on blu-ray as it has the most IMAX footage in it (about 72 minutes worth, or a third of the film all told - compared to about 26 minutes for The Dark Knight). When it switches to IMAX, the aspect ratio flips to fill your whole television, creating a fantastically detailed and immersive image. This is only available on the blu-ray - the DVD keeps the same 16:9 aspect ratio throughout. Nolan utilises IMAX well, from simple establishing shots to whole chase and fight sequences. Sequences such as the plane hijacking and the bomb chase sequence are made to stand out all the more with the visual gravitas the IMAX lends them. Sound-wise, this is a film that demands to be watched loudly - if you set the volume low, dialogue (especially Bane or Lt. Gordon when he is hospitalised) can easily be lost. Instead, turn this film up loud, and take this as an opportunity to really give your sound system a workout, to truly lose yourself in the high spectacle of this grand finale to one of the greatest trilogies ever made in any genre. The special features (on a second disc) are fantastic - detailed, interesting and informative, by far the best special features of all of Nolan's Batman films. The steelbook itself is also worthy of mention. The artwork chosen for both the exterior and interior of the case really is superb, encapsulating the spirit of the film well. The case also has a much more premium and moody feel to it, which compliments the film in a way that the regular blu-ray case doesn't - whilst the cover art on that is fine, the back loses any sense of artistic merit in it's use of bright garish colours that boast of the special features contained in the pack. All that is lost in the steelbook feature-wise is the UV copy, which is fine by me as I have found it to be a poor, flawed substitute for a real iTunes digital copy. This steelbook, then, is a worthy collectors piece to celebrate a real feat of film-making, and (when viewed alongside the rest of the trilogy) a series that perhaps represents the peak of Christopher Nolan's career so far - to my mind the greatest living director (with the possible exception of Steven Spielberg). This item comes thoroughly recommended!
S**O
Good
Good movie
B**Z
Excellent but flawed
First of all, this film was mostly a great watch, the action sequences were first class, the acting was very good, and the villain was suitably menacing. The last 45 minutes go past very quickly, and it was a superbly composed final hour by Nolan. Bales performance as Batman was a little lighter than The Dark Knight with a few more laughs but not many, and Hardys performance as Bane was towering and unsettling. He really was a man mountain in the film. Could I write more praise? Sure, I mean the film score is superb, I bought the soundtrack too and it's fast paced and really well composed and I love it a lot, Catwomans theme is fantastic but the whole score is sensational. I remember seeing this in the Imax in Kingston and it was extraordinary, the action exploded in your face, the sound was deafening but not loud enough to hurt your ears, it was enough to put you right in the heat of the action and I enjoyed the film a lot more because of that. There are downsides in the film, the ending still has me a little confused, I believe it does actually happen but it's hard to see HOW it happened, if you know what I mean. There's no real indication of how it happened, this all sounds very vague but it has to be for fear of spoiling the film for others. The film's probably a little overlong, could have been half an hour shorter and would have been better for it. As for Bane, for such an imposing character, again it's very anticlimatic, and you'll know what I mean there again. We don't see much of Batman at all in the film, he's on screen for maybe half an hour or more, and most of the time it's just Bruce Wayne. Not enough of Banes backstory was shown, how he came to be such a man mountain, how he entered the Lazarus pits, why he was there etc. There's a lot of vagueness in the film, with fill in the blanks moments for us to work out ourselves. Now there's talk of the next film being set in the 1980's focusing on the Justice League or something, I have no idea really. I did enjoy the film but there were a few too many vague moments for me to truly enjoy it to its full potential, and to be honest The Dark Knight was better. But if you haven't seen this yet and own the previous 2 films you'd be a fool not to buy this.
M**T
Superb
What a great movie to finish of the trilogy,it's a pity Nolan didn't make another one with Robin
C**E
Gothams reckoning.....
First of all, Nolan has made the greatest trilogy of all time, and while the film probably won't demand repeat viewings like The Dark Knight, it's narrative structure and beautiful photography by Pfister, make this film the superior one in the series. Where the first movie explored fear, and the second movie chaos and anarchy, this film is based on redemption and pain, because as many people have stated, both Bane and Bruce experience pain throughout the movie. And this is what makes Bane an interesting villain, because he is the polar opposite to Batman, but the same, as Nichy once said, 'you stare into the abyss long enough, it will stare back at you'. Bane is Batmans abyss, what he could have become if he had joined the League. Structurally the movie fits in perfectly with the others, and this is what makes this the best trilogy of all. Everyone is dedicated to Nolans vision, from the cast, to the crew, they believe in what he has done, and this makes it better viewing for the audience. The cast are fantastic, and the question of the ending? it's perfect, Wayne has paid his due to Gotham, and Gotham to him, after all it took away his parents, and made him unhinged. But this movie finally, shows him at peace, and the last scene confirms that this epic trilogy is over. It's sad to think this, Nolan resurrected a franchise that went out of control, and then some, and has managed to give the movie a conclusion, that not only respects the source material, but the movie goer too.
A**N
Best Batman trio
Brilliant trio
K**E
Five Stars
Great price for a Steel book blu ray !
R**S
Real treat for a good discount
It was a treat for this great movie available at a good discounted price! I am not a fan of Christopher Nolan and I have been oscillating whether to buy this or not. When I saw the pricing reasonable, I thought I should give a try and was thoroughly satisfied with it.
M**E
Ein film mit viel hintergrund
Bild-Kurzbewertung: + Positiv: - Qualitativ sehr hochwertiger Mix aus IMAX- und 35mm-Filmmaterial. - IMAX-Szenen bieten fast durchgehend Werte auf Referenz-Niveau! - Meist sehr gute Schärfe- und ebenso überzeugende Detailzeichnung. - Bis auf wenige Ausnahmen gutes & ausgewogenes Kontrastverhältnis. - Gute und natürliche (35mm-Material stärker gefilterte) Farbpalette. - Viele plastische (IMAX-) Szenen mit hervorragender Tiefenwirkung. - Negativ: - 35mm-Bildmaterial sieht weicher aus und wirkt schlechter definiert. - Leichter Detailverlust in dunklen Bildbereichen (stärker bei 35mm). - 35mm Filmmaterial weist minimales (nicht störendes) Filmkorn auf. Es ist keine wirkliche Überraschung, dass man sich nach The Dark Knight nun auch bei der Fortsetzung 'The Dark Knight Rises' für eine Mischung aus herkömmlichem 35mm-Filmmaterial und dem hochwertigen IMAX-Format entschieden hat - wobei der Anteil an IMAX-Sequenzen in Christopher Nolan's finalem 'Batman'-Film deutlich höher ist als es noch im Vorgänger der Fall war. Das Prinzip ist das gleiche: Während ein Grossteil der Szenen im breiten 2.40:1-Seitenverhältnis präsentiert werden, können kurze Shots und Sequenzen, aber auch komplette Szenen, plötzlich ins grösser wirkende IMAX-Format wechseln - hier in einem 16:9-ausfüllenden Verhältnis von 1.78:1 präsentiert. Der Effekt ist auch bei 'The Dark Knight Rises' sehr gut, grösstenteils harmonisch und kann, je nach Aufnahme, sehr imposant wirken. Man fragt sich nur: Wenn schon (geschätzte) 60% des Films im IMAX-Format gedreht wurden, wieso dann nicht gleich der ganze Film? Von einem rein qualitativen Standpunkt aus gesehen wäre es mehr als wünschenswert, denn auch wenn sich das 35mm-Material sehen lassen kann, dann stellt man trotzdem schnell fest, dass es mit den Referenzwerten des IMAX-Materials nicht mithalten kann. Während die IMAX-Szenen nicht nur gestochen (!) scharf und bis auf den letzten Pixel detailliert sind, sondern gleich auch noch über ausgewogene Kontrast- und Farbwerte verfügen, kommt das (z.T. etwas wahllos eingefügt wirkende) 35mm-Material deutlich weicher daher. Zwar schön, dass man es (anders als beim Vorgänger) nicht übermässig nachbearbeitet hat, aber ein leichter Schärfe-Boost hätte dem Gesamteindruck nicht geschadet. Kommt hinzu, dass das 35mm-Material einen etwas stärkeren Hang zum Detailverlust aufweist, während die oftmals (stark) gefilterte Farbpalette dazu führt, dass einige Aufnahmen sogar ein bisschen matschig aussehen können. Zumindest stellt die (vornehmlich in den 35mm-Aufnahmen vorhandene) Filmkorn-Struktur, die in der Regel nur minimal ausgeprägt ist und kaum auffällig ist, keinen Störfaktor dar. So überrascht es aber auch nicht, dass die 35mm-Sequenzen weniger plastisch wirken. Für das wirkliche High-def Feeling sorgen hier die IMAX-Szenen und diese sind an Plastizität und Tiefenwirkung kaum zu übertreffen und erreichen gelegentlich eine Dreidimensionalität, wie man sie von 2D-Material nicht erwartet! Stilmittelbedingt sicherlich etwas inkonsistent, aber ein ansonsten sehr hochwertiges High-def Bild. Der Ton: Getestet: Deutsch Dolby Digital 5.1 Wenn es um den Ton geht, dann bleibt sich Warner Home Video seiner oft kritisierten Linie treu und präsentiert auch die deutsche Abmischung von 'The Dark Knight Rises' als Dolby Digital 5.1-Soundmix mit einer fast schon kümmerlichen Datenrate von 448kbps. Das wird natürlich einmal mehr für viel Kopfschütteln sorgen, aber interessanterweise steckt auch in diesem Mix mehr Power, als was man meinen könnte - vorausgesetzt man dreht den Receiver mehr auf als gewöhnlich! Die Feindetailwiedergabe könnte sicher noch ein bisschen besser definiert sein, aber davon abgesehen hat man es mit einem erstklassigen Sound-Design zu tun, das sehr gezielt auf eine atmosphärische Surround-Kulisse setzt die zuweilen nicht nur sehr direktional und aggressiv, sondern auch überaus basslastig daherkommt - vielleicht sogar etwas zu basslastig, denn auch wenn Bane's Stimme dank der zusätzlichen Portion Bass noch bedrohlicher wirkt, dann hat man gelegentlich fast ein bisschen das Gefühl, als ob es dann doch zu viel des Guten wäre. Die stimmige Filmmusik ist ein weiteres Sound-Element, das stark im Vordergrund steht - und dabei auch schon mal ein bisschen übertönend wirken kann. Anscheinend ein bewusst gewähltes Stilmittel, denn auch der englische O-Ton kommt in dieser Hinsicht etwas unausgewogen daher. Die Dialoge bleiben aber gut verständlich. Unter der eingeschränkten Bitraten-Codierung hat der deutsche Mix jedenfalls kaum zu leiden und bietet, trotz fehlender Referenzwerte, einige Momente, die für Begeisterung sorgen. Wer sich den Spass von der niedrigen Bitrate verderben lässt, ist selber schuld! Ausserdem sind auf dieser Blu-ray u.a. noch folgende Tonspuren enthalten: Dolby Digital 5.1: Italienisch, Französisch, Spanisch, Thailändisch DTS-HD Master Audio 5.1: Englisch Die Extras: Bei den Bonus-Features der 'The Dark Knight Rises' Blu-ray Disc, allesamt in HD-Qualität vorliegend, wird der Anfang vom 'Second Screen'-Feature auf der ersten Disc gemacht. Mittels eines Gratis-Apps lassen sich so zusätzliche Inhalte während des Films abrufen - zumindest sollte das in Zukunft möglich sein, denn zum Zeitpunkt unseres Reviews waren die Inhalte noch nicht freigeschaltet. Man darf also gespannt sein, wie dieses Feature genau funktioniert. Die restlichen Extras befinden sich allesamt auf der zweiten Disc von diesem 2-Disc Set. Dort geht's mit 'Das Batmobil' (ca. 58 min.) los - einer ziemlich ausführlichen Dokumentation über die Evolution von Batman's fahrbarem Untersatz von der ersten TV-Serie bis hin zu Christopher Nolan's Blockbuster-Trilogie. Wer die Bonus-Features vor allem aufgrund von Informationen zur eigentlichen Entstehung von 'The Dark Knight Rises' ansieht, der liegt bei 'Das Ende des Dark Knight' richtig - wobei dieser Menüpunkt in die folgenden drei Punkte unterteilt wurde: 'Die Produktion', 'Die Charaktere' und 'Rückblicke'. Mittels 17 verschiedenen Making of-Featurettes (leider nur jeweils einzeln anwählbar, eine praktische Play All-Option ist leider nicht vorhanden) geht man auf die wichtigsten Aspekte der Produktion ein und zeigt z.T. auch detailliert auf, wie spezifische Szenen entstanden sind. Dabei geht man auch auf die einzelnen Charaktere und deren Umsetzung ein und beleuchtet zudem die Arbeit mit den IMAX-Kameras. Alles in allem sehr interessante, informative und gut produzierte Kurz-Dokus die man sich nicht entgehen lassen sollte. Verfügbar sind: -- 'Der Prolog' (Entstehung der Eröffnungs-Szene im Detail, ca. 8 min.) -- 'Rückkehr zur Bat-Höhle' (Set-Design und Dreharbeiten, ca. 4 min.) -- 'Gothams Untergrund' (Über das unterirdische Tunnelsystem, ca. 3 min.) -- 'Die Fledermaus' (Design und Umsetzung des Flug-Vehikels, ca. 11 min.) -- 'Batman Vs. Bane' (Umsetzung der Nahkampf-Sequenz, ca. 6 min.) -- 'Das Waffenarsenal' (Über die neuen Waffen von Batman, ca. 3 min.) -- 'Verwüstung am Spieltag' (Umsetzung der Football-Szene, ca. 7 min.) -- 'Zerstörung einer Strasse' (Entstehung der explosiven Szene, ca. 4 min.) -- 'Das Gefängnis' (Umsetzung des unterirdischen Gefängnisses, ca. 3 min.) -- 'Der Jubel' (Über die Entstehung von Hans Zimmer's Musik, ca. 5 min.) -- 'Der Krieg an der Wall Street' (Umsetzung der Sequenz, ca. 7 min.) -- 'Wettrennen zum Reaktor' (Umsetzung des Showdowns, ca. 8 min.) -- 'Die Reise des Bruce Wayne' (Über Bruce Wayne, ca. 9 min.) -- 'Gothams Abrechnung' (Figuren-Portrait Bane, ca. 10 min.) -- 'Man muss ja schliesslich essen' (Über Catwoman, ca. 9 min.) -- 'Licht und Schatten im grossen Format' (Kameraarbeit, ca. 6 min.) -- 'Das Ende einer Legende' (Cast & Crew blicken zurück, ca. 9 min.) Nebst einem 'Trailer-Archiv' (ca. 9 min.) mit vier verschiedenen, und kurioserweise mit Play All-Option ausgestatteten, USA-Kinotrailers von 'The Dark Knight Rises' ist auf der Disc ausserdem noch eine Bilder-Galerie ('Das Design der Werbekampagne') mit 30 (ebenfalls hochauflösenden) Bildern verschiedener Poster-Designs für den Film verfügbar - womit dann auch der Abschluss der hier vorhandenen Bonus-Features gemacht wird. Vielleicht auf den ersten Blick keine übermässig ausschweifende Extras-Auswahl die zudem Audiokommentare und Bild-in-Bild Features vermissen lässt (plus Play All-Optionen wo es sinnvoll wäre), aber dafür inhaltlich gut umgesetzt ist und einige hervorragende Einblicke in die Entstehung des Films bietet. Wer den Film auf mobilen Geräten wie seinem Notebook, Tablet oder Smartphone schauen möchte, hat hier zudem die Möglichkeit mittels beiliegendem Code eine 'Digital Copy' downzuloaden. Kritik & Unser Fazit: Dass es nach dem phänomenalen Erfolg von 'The Dark Knight' einen dritten Teil in Christopher Nolan's 'Batman'-Reihe geben würde, war so sicher wie das Amen in der Kirche - und wer hätte auch nicht wissen wollen, wie die düstere und dennoch realistisch wirkende Comic-Verfilmung ihren endgültigen Abschluss finden sollte. Keine einfache Aufgabe für den Inception-Regisseur und bestimmt eine, die mit grossem Druck verbunden war - denn wie sollte man so einen gigantischen Grosserfolg der weltweit über US$ 1 Milliarde einspielte überhaupt toppen können? Um es kurz zu machen: Nolan schafft es, zumindest inhaltlich, nicht ganz - und trotzdem kann der Abschluss der mittlerweile als 'The Dark Knight'-Trilogie bekannten Reihe als zufriedenstellend bezeichnet werden. Man merkt dem episch angelegten Film allerdings an, dass man zu viel in die Handlung einbauen wollte. Wie so oft wäre weniger doch mehr gewesen. So gibt sich die Story von 'The Dark Knight Rises' sogar noch komplexer - was nicht nur ein Vor-, sondern auch ein Nachteil ist. Gerade mit den Subplots meint es Nolan zu gut und die vielen neuen Figuren lenken von Bruce Wayne, und vor allem von Batman, ab. Ein Batman-Film ist 'The Dark Knight Rises' eigentlich nur auf dem Papier. Vielmehr ist es die logische Weiterführung von Bruce Wayne's ganz persönlicher Geschichte und das Ende eines Mythos. Das ist insofern interessant, da sich Nolan kaum auf Kompromisse einlässt und sogar mutig genug ist, über lange Strecken auf Batman fast komplett zu verzichten. Die einen werden das begrüssen, die anderen sich daran stören. Und ja, man muss dann tatsächlich viel Geduld aufbringen, wenn man 'The Dark Knight Rises' wegen Batman selbst schaut, denn erstens geht es fast 50 Minuten bis der dunkle Ritter seinen ersten Auftritt hat - nur um nach kurzer Zeit wieder vollkommen von der Bildfläche zu verschwinden und dann weitere 50 (!) Minuten nicht mehr auf der Leinwand aufzutauchen. Es ist dann auch genau diese Phase, wo der Film seine grössten Längen entwickelt - da hilft es auch nicht viel, dass nicht nur Bane, sondern auch die restlichen Filmfiguren einmal mehr von Nolan's hervorragender Charakterisierung profitieren. Die symbolhafte Ausrichtung der Story und die kulturell relevanten Bezüge zu aktuellen Ereignissen lassen den Film trotz seiner immer noch vorhandenen Comic- bzw. Fantasy-Elemente überaus realistisch wirken. Man könnte fast sagen zu realistisch, denn 'The Dark Knight Rises' nimmt sich zuweilen fast ein bisschen zu ernst. Erfreulich also, dass Figuren wie die von Anne Hathaway gespielte Catwoman für ein bisschen Auflockerung sorgen. Überhaupt stellt sich Hathaway in ihrer Rolle als sexy Anti-Heldin als passender heraus, als erwartet - für Michelle Pfeiffer ist die allerdings keine ernsthafte Konkurrenz! Tom Hardy macht als Bane vor allem in körperlicher Hinsicht viel Eindruck, ist in seinem Spiel durch die Maske aber eingeschränkt - wobei seine (bewusst verfremdete) Stimme ein berechtigter Streitpunkt ist. Davon abgesehen helfen genau diese Figuren mit, aus dem Film ein - vor allem für Comic-Verhältnisse - dichte Charakterstudie zu machen. Die Action überzeugt dabei genau so wie Batman's neue Gadgets, während das Finale kaum spannender sein könnte. Da sieht man über einige der Schwächen des Films, zu denen vor allem das überfrachtete und z.T. unlogische Drehbuch gehört, gerne hinweg. Während der Film thematisch eher an den Erstling Batman Begins anknüpft, orientieren sich Nolan & Co. in technischer Hinsicht bei 'The Dark Knight Rises' verständlicherweise am zweiten Teil - denn schliesslich hat der Einsatz von IMAX-Kameras und der damit verbundene Format-Wechsel schon 2008 für Furore gesorgt. Hier geht man nun einen Schritt weiter und präsentiert einen deutlich grösseren Teil des Films in referenzwürdiger IMAX-Qualität, während die ebenfalls im Film immer wieder vorhandenen 35mm-Sequenzen deutlichere qualitative Abstriche hinnehmen müssen. Der Gesamteindruck ist vielleicht inkonsistent, aber dennoch beeindruckend! Der (deutsche) Ton kommt trotz eingeschränkter Dolby Digital 5.1-Codierung besser rüber, als erwartet - zudem bieten die Extras viele gute Einblicke in die Entstehung von Nolan's Comic-Verfilmung. Das alles macht die 'The Dark Knight Rises' Blu-ray Disc zu einem der High-def Highlights des Jahres. Kein perfekter Film und kein perfekter Release, aber verdammt nah dran - und ganz eindeutig ein Pflichtkauf für alle Fans von Christopher Nolan's 'Batman'-Reihe
W**8
The epic finale to the dark knight legend...
Me: "you don't NEED to make another Batman film! You have given us everything!" Nolan: "Not everything, not yet." The Dark Knight Rises borrows many elements from The Dark Knight Returns and Batman: Knightfall, but DO NOT think this is a straight forward adaptation of those storys. This just borrows some key plot elements, and becomes a stand alone movie. It's alot like what Nolan did with Batman Begins, as that one was heavily inspired by Batman: Year one, but became its own story. WARNING: I may SPOIL The SECOND installment, The DARK KNIGHT, in DETAIL. So at the end of The Dark Knight, Batman took the blame for Harvey Dents fall, now becoming enemy number 1 of the police. The Dark Knight Rises takes place 8 years after the Dark Knight, and as it turns out, Bruce Wayne gave up Batman and is now retired. Meanwhile, Gotham City is currently celebrating a time of peace. The Joker was captured at the end of The Dark Knight (and although his fate is uncertain in this film, all you need to know is that he's gone) and the police have cleaned up the rest of Gotham. Although peace has been achieved in Gotham, our heros have pretty much been eaten alive by this lie. Bruce Wayne hung up the Batman symbol, but never moved on. He is a recluse in Wayne Manor, not knowing what to really do with is life. As for Jim Gordan, lets just say he has been messed up the most mentally after Dark Knight. His wife has left him, and he has been speeking this lie for 8 years, PRAISING Dent going "oh, Harvey Dent, truth, justice, and the american way!" while thinking "yeah, Harvey Dent, the jerk that tried to kill my own son!". So in a way, Jim Gordan is on his own, having nothing but this lie he has to live with. Things change, however, when our terrorist Bane steps in Gotham. He has one purpose: take control of Gotham. He starts a series of attacks in Gotham, forcing Bruce Wayne to pick up the mantle of Batman again to reclaim his city. Of course, there is much more to Banes plan, as he wants to break Batman both mentally and physically. Why? Because Bane is associated with a previous villain in this series, and seeks revenge. This all leeds to a number of sub plots and character arcs (along with the introduction of several new characters) all leading up to an ending where everything is tied together. The POSITIVES: -The writing is great (not as great as Begins and The Dark Knight, but still great). -The action and effects are sensational! 90 percent of the action of this film is done with practical effects and death defying stunt work. There isn't really an iconic "money shot" scene like the truck flip in the Dark Knight, but the action is still really good. Also, the fist fights between Batman and Bane aren't as good as they should be, but are still alright, and improved over Begins and Dark knight. But, the dialogue between Batman and Bane makes up for it. -The acting is incredible. The characters are written and portrayed well, and are all great. There are probably too many characters to take in one film, but, they are all still done well, and you don't want any of them to have been cut out of the film. -There are some great moralls too. Plenty of emotion, and some good character analysis. -The ending: there are no words to describe but EPIC. It's written great, filmed great, and acted great. Somehow, Chris Nolan wraped everything up PERFECTLY, and I am shocked he was able to do so. Trust me, he MEANT IT when he said this would be the final Batman film of this series. SURPRISES: -One of the main charcters in this film was Anne Hathaway as Catwoman. Her role isn't EXTREMELY pivotal to the plot, but important to Bruce Waynes story, and she has plenty of screen time. I didn't think Hathaway would be a good Catwoman, at all, but I was wrong! She was cast PERFECTLY, and gave a great performance. Tom Hardy I already new would be a great Bane (and he was). -In The Dark Knight Rises, ALOT of new characters are introduced, but thankfully, almost every character gets enough screentime, and they all give great performances. -Another newcomer particularly is Joseph Gordon-Levitt, who gives a great performance as Officer John Blake. Although an original character by Nolan, he has several chatracteristics of a few charcters from the comics. He was acted and written so well, that I WANT to see this John Blake character in the comics. -And lets not forget the plot twists. There are moments of BRILLIANCE in this film. Obiously I won't spoil the plot twists for anyone though. Sure, I saw 1 or 2 of them coming, but there were a few I DID NOT expect. The NEGATIVES: -one nitpick I have is how Batman immediatly retired after Dents cover up. Instead, I would have stated Bruce continued to be Batman for 2 or 3 years (as a fugitive being hunted by the police) and slowly faded away, and by the point of this film, he has only been retired for a couple years. This is only a nitpick, since the starting off point of the film would stay the same, and this change wouldn't have made much difference to the plot. And it would still take place 8 years later, the only difference being he has just been retired for a couple years, instead of all 8. -Banes voice is an issue for alot of people. Trust me, you can understand him... 97 percent of them time. There are a few lines of dialogue that you can't quite understand, but overall, the voice was fine. BUT, in the opening, Banes voice was TERRIBLE! Yeah, I could understand him, but you couldn't help but laugh whenever he talked. After the opening act, however, they got the tone right, and Bane started to sound cool later, just bad in the opening. -editing was alright, but felt kind of "choppy" at times. -The pacing was good for the length, but still not that great. -alot of people think the film was too long. I disagree, I thought it was to SHORT! -The movie is 2 and a half hours long, but, this movie is the definition of a 3 hour movie. If it was just 15 minutes longer, almost all of my problems would be fixed.. The pacing would have been better, and the film just would have "flowed" better, instead of feeling clutered with information. And considering that some of our most successful films (Titanic, Lord of the Rings, and a few others) are well OVER 3 hours, I doubt extra length would have been a negative effect on this film in any way. -Despite the large amount of characters cramed into 2 and a half hours, most of the characters get enough screen time, except for one. Marion Cotillard as Wayne interprise member Miranda Tate. She gets a good amount of screentime, but still needed more. If the film was 10 to 15 minutes longer, 5 extra minutes JUST with her would have given her character more time. She was the one character that just didn't get enough development. -I have a few other nitpicks, but only a few are worth mentioning. There is a scene with a bank robbery in broad daylight, but 8 minutes later, it's pitch black! And when it comes to the plot midway through, it may seem a little illogical, but no more than Batman Begins or Dark Knight, so you can't question what is realistic and what isn't WITHOUT questioning the others. You can't ask one question without asking another. Overall, The Dark Knight Rises is, whether you like it or not, a good film, and an incredible ending to Chris Nolans trilogy. And alot of people complain about the ending, saying "MY Batman wouldn't do this!" well, it's not anyone elses Batman in this series, it's Chris Nolans Batman. We all have out own interpretation of the Batman character, and Chris Nolan gives us his. And personally, I don't think Chris Nolan could have ended his take any better. So, if you ignore the comics, forget your personal opinion on the Batman mythology, and view The Dark Knight Rises as a STAND ALONE MOVIE, you should be fine. The main reason why the ending works is BECAUSE it's forshadowed in the previous 2 films (if you payed attention, of course). "if you make yourself more than just a man, if you devote yourself to an ideal, you will become something else entirely. A legend." As a man he can be destroyed, but as a symbol, he can live forever. THAT is a comman theme illustrated in this entire trilogy. If you can accept that, then you should know that The Dark Knight Rises has a very fitting end. If you liked Batman Begins and The Dark Knight, there is no good reason to NOT like this one. If you liked Begins (but didn't care for The Dark Knight) this should be a pleasant surprise, as this movie ties in ALOT to Begins, and I would even reccomend everyone to rewatch Begins before viewing Rises. But, if you DIDN'T care for Begins or Dark Knight, this film probably won't win you over, but everyone should still check this out. For me, this film gave me everything: Suspense, action, genius writing, great performances, 2 great cameos, plot twists, and an incredible ending, Nolan book ends everything as a trilogy should. Another word of warning: If you are looking for a nonstop "Batman" film, well, this may not be for you. This movie features less screentime for Bruce Wayne in the Batsuit than any other Batman movie. But that's the point. We got plenty of Batman in The Dark Knight, so now, we have Bruce Waynes story being completed. If you don't like Chris Nolans take on Batman, that's fine, but don't HATE on these movies just because they aren't for you. Sure, it is pretty illogical at times, but just as much as every other movie in existance. And if someone is going to tear this film apart over nitpicks or small plotholes, trust me, if I tried I could EASILY do that to any other movie. Just acknowledge that these ARE good films, instead of complaining about what you DON'T like. It's not that I ignore the problems in this movie, it's because there is MUCH more good than bad, so I can still give it 5 stars. Also, some people were dissapointed with The Dark Knight Rises because the expectations were SO overwhelmingly high. PLEASE, do NOT let your expectations get the best of you! Think logically (like me) before viewing this movie. Sure, this film isn't 10 times better than Dark Knight as that was to Begins, but, it's still great! I still love all 3 chapters of this trilogy (something alot of trilogys fail at). So, if you enjoyed Batman Begins and Dark Knight (and payed attention to the themes illustrated in them) you should enjoy this. Is this the PERFECT everything a fanboy could want Batman film? Well, no. But heck it'll do! It's still a great Batman movie, and succeeds in doing what was most important: giving the trilogy a fitting ending. Sure, the movie isn't perfect, but quite frankly, a perfect film just doesn't exist. And if there is anything else that anyone is confused or scratching their head about, please comment. After seeing this film 3 times, I have been able to explain nearly every plothole or problem I had when I watched it the first time. If you were confused in any way, feel free to ask questions :) Everyone should check this out, as it is a truly incredible ending to this amazing trilogy. Me: "I never said thank you." Nolan: "and you will never have to."
K**D
4k Batman
Super film la 4k est magnifique sur un bon lecteur blu ray il ya le blu ray normal avec un bon produit pour la collection
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