Dover Guide to Landscape Painting

I found it to be a clear, concise and authoritative guide to landscape painting. A little old school and the plates are in black and white, but looking beyond that, it's a gem of a guide to painting landscapes. Line, form, composition, value and colour are all well covered together with sections on difficult subjects such as clouds and trees. It explains in precise language several advanced concepts that have made me look at my own paintings in a completely new way. Already I'm seeing improvements that came from directly from this excellent book. I ordered it based on a recommendation by James Gurney.

Que decir de este libro. Es la biblia de la pintura paisajística. Casi los “grandes” actuales se basaron en él. Eso si, es del año de la pers, es totalmente en blanco y negro, nada de step by step, teoría pura y dura. Un tostòn, que merece la pena.

No easy read, this book is blowing my mind with method as well as philosophy on landscapes and art in general. It is changing the way I see the world around me. I took a workshop with a master landscape painter who told me it was the ONE absolutely essential book to any student or artist. He has several copies and rereads it even to this day after painting for over 40 years. It is in the school of abstract expressionist design to express what you are seeing. It encourages the artist to use nature as a well spring for inspiration and a starting point, and is not at all about dry literal copying of exactly what you see. There are valuable insights as to how to pick an "idea" you are supporting in your image, as well as the tools to render it, because art is an expression, first and foremost. It is technically and spiritually wonderful. Much of the advice could cross over to other styles of art. There are so many lines in the book I would like to quote, but here are two: "Art is a thing of the imagination. The underlying principles, the fundamentals, should be so hidden away by the beauty they are eventually to support, that it would require much digging to disclose them." and "There is no irresponsible or accidental child's play about the composing of a fine picture. Men like Leonardo, Michelangelo or Rubens were men of fine intellect as well as of sensitivity. Pure beauty is an orderly quality which seldom emanates from imbeciles or charlatans." While you will find very useful basic information on materials, etc, do not expect a "How to draw fence posts" type book. This book is a masterpiece. I plan to read it many many more times. If provides a vehicle for total self expression, which only years of tireless application can yield, yet spares the reader years of trial and error with timeless instruction on elements of atmosphere and technical laws known to the masters, thus delivering hope and inspiration. No serious artist should be without this book. I'm so grateful for it, and I sprang for the hard copy.

Highly recommended book. Could be a reference text for serious art landscape theory. My watercolour teacher mentioned this book in class recently and I’m so glad I wrote it down to check out later. Is an older style book but a goodie. You won’t regret getting it.

C'est sûr, il faut lire l'anglais et surtout, il faut lire car tout se trouve dans le texte. Ce n'est pas un livre moderne rempli de "pas à pas" plus ou moins réussis, mais un livre essentiel de conseils écrits par un grand maître du paysage. Vraiment un très grand livre pour les amateurs de peinture réaliste de paysages. NOTA. Les quelques repros de tableaux sont en noir et blanc. Mais on peut trouver des reproduction sur le net.