ShureSM7B Vocal Dynamic Microphone Broadcast, Podcast & Recording, XLR Studio Mic Music & Speech, Wide-Range Frequency, Warm & Smooth Sound, Rugged Construction, Detachable Windscreen - Black

Rating: ⭐⭐⭐⭐⭐ (5/5)I recently had the privilege of using the Shure SM7B microphone, and I must say, it's an absolute game-changer in the world of audio recording. As an avid content creator and voiceover artist, I've had my fair share of experiences with microphones, and the SM7B stands out as a true gem in terms of both sound quality and versatility.**Sound Quality: ⭐⭐⭐⭐⭐**The SM7B's sound quality is nothing short of remarkable. Its dynamic range captures every nuance with exceptional clarity, resulting in recordings that are rich, warm, and incredibly lifelike. Whether I'm recording vocals, podcasts, or musical instruments, the SM7B consistently delivers a professional-grade audio experience that's a cut above the rest.**Versatility: ⭐⭐⭐⭐⭐**One of the standout features of the SM7B is its remarkable versatility. It's equally adept at capturing both delicate nuances and powerful vocals. Its selectable frequency response modes allow for tailored sound shaping, making it suitable for a wide range of applications. I've used it for everything from intimate voiceovers to high-energy podcast interviews, and it never fails to impress.**Durability and Build: ⭐⭐⭐⭐⭐**The SM7B boasts a robust build that exudes quality. Its rugged construction ensures durability, making it a reliable choice for studio and on-location recordings alike. The integrated shock mount minimizes handling noise, further enhancing its performance during recording sessions.**Background Noise Rejection: ⭐⭐⭐⭐⭐**One of the standout features of the SM7B is its exceptional background noise rejection. It's particularly adept at minimizing unwanted ambient sounds, resulting in clean and professional recordings even in less-than-ideal environments. This is a real boon for remote recording setups.**Final Verdict:**The Shure SM7B microphone is a game-changer for anyone seeking professional-grade sound quality and versatility. Its remarkable performance across various recording scenarios, combined with its durability and noise rejection capabilities, make it an invaluable addition to any content creator's toolkit. Whether you're a musician, podcaster, voiceover artist, or audio enthusiast, the SM7B is a must-have that consistently exceeds expectations.In sum, the Shure SM7B has earned its place as a top-tier microphone, setting new standards for audio quality and performance. It's an investment that I wholeheartedly endorse and recommend to fellow creators seeking nothing but the best in their audio recording endeavors.

The Shure SM7B is a superb mic. Its prowess is well-documented, so I’ll not add yet another voice to the chorus. What I will do is discuss how to get the most out of the mic and what that may cost.First things first, the SM7B is gain hungry. As in, it generally wants 56dB of gain—about double the need of an average mic. Even if you have an audio interface that can provide that, higher gain generally means higher noise. Thus, a Cloudlifter is essential to a clean signal. The device isn't cheap. While on the topic of noise, if you're spending on the Cloudlifter and the SM7B (about £530 together when I bought), don't cheap out on the cables.Cheap connectors and poor-quality cabling can ruin a good signal. Mogami cable with good connectors are a suitable choice; enoaudio has cables for mics and instruments that meet the grade. Planet Waves makes great patch leads while Monster makes excellent leads for speakers. Lastly, good monitoring headphones like the Sennheiser HD280 Pro ensure that you get a clean signal in ear. It only takes one piece of cable and one connector to ruin a signal chain. The cables and headphones by themselves add up to another £200 or so depending on what you need. Thus, our running tally reaches roughly £730.The bad news is that we're not done yet. We need an audio interface with good preamps, low latency (means an onboard DSP capability), and good headphones/monitor output not to mention other I/O. There are many good options, I personally use the Universal Audio Apollo Twin Duo USB (Heritage Edition). You'll need something in that range to get the best out of the mic. Even with phantom power and the powerful preamp providing 62dB of gain, I still added the Cloudlifter to reduce noise. Adding the cost of the audio interface, £800 at the time of my purchase, brings the total to a staggering £1,530. That’s all, right? Right?!Well, no; we need to discuss recording device. Your recording device needs to be up to the task of your planned workload. Pro Tools, as do some other DAWs, like to load everything in RAM so you'll need a lot of it for a big project. High quality samples like those provided by BFD3 take up disk space for storage and RAM when in use. Accordingly, a large and fast drive is a must. Lastly, any processing you do on your device and not on the audio interface will add latency. Thus, a fast CPU is a must. It's very easy to spend thousands on a Mac or PC with NVME storage, the latest CPU, and 128GB RAM. Then there’s the software and plugins…In short, before you buy: consider your workload, consider the level of quality you should reasonably be targeting, and then consider your budget. If you have an average audio interface, get an average mic, average cables, average headphones, and an average device. If you decide to bump up one item, understand that you'll be paying for value that the rest of the kit can't meaningfully unlock.

This is an amazing microphone and I have checked with Shure custkmer service and they believe it is a legit product (not a copy)! For the quality of recirdings it not expensive at all, very easy to use and I do recomend buying a good zlr cable!!! Looks ok, nothing fancy and it is compatible to Windows , mac … Inhave plug ot into my audio interface and the qualoty is amazing (comparing to Rode mic that Inhabe used before) love it