





📷 Elevate your photography game with precision zoom and pro-level control!
The Panasonic DMC-FZ50 is a 10.1MP digital camera featuring a bright f2.8 Leica 12x optical zoom lens with Mega O.I.S. stabilization and Intelligent ISO Control to reduce blur. It offers full manual control with dual rings and a customizable function button, a 2-inch articulating LCD for versatile shooting angles, and enhanced image processing via the Venus Engine III for low noise and extended battery life. Ideal for professionals and enthusiasts seeking high-quality images and flexible shooting in a compact form.
| Metering Methods | Multi-Zone |
| White Balance Settings | Flash torch |
| Self Timer | 1E+1, 2 |
| Crop Mode | 16:9 |
| Screen Size | 2 Inches |
| Display Type | LCD display |
| Dots Per Screen | 235,000 dots |
| Display Fixture Type | Articulating |
| Display Resolution Maximum | 207,000 |
| Has Color Screen | Yes |
| Flash Memory Type | SD/MMC/SDHC card |
| Memory Storage Capacity | 32 MB |
| Recording Capacity | 60 Minutes |
| Write Speed | 2 fps |
| Flash Memory Bus Interface Type | Serial |
| Flash Memory Installed Size | 32 MB |
| Compatible Mountings | Micro Four Thirds |
| Sensor Type | CCD |
| Image stabilization | Optical |
| Maximum Aperture | 2.8 Millimeters |
| Expanded ISO Minimum | 100 |
| Photo Sensor Resolution | 10.1 MP |
| Photo Sensor Size | 1/1.8-inch |
| Maximum Shutter Speed | 1/2000 Seconds |
| Minimum Shutter Speed | 60 seconds |
| Form Factor | Rotating |
| Special Feature | Image Stabilization |
| Color | Black |
| Item Weight | 1.62 Pounds |
| Video Resolution | 480p |
| Viewfinder | Electronic |
| Flash Modes | Automatic |
| Camera Flash | F2.8 |
| Compatible Devices | Micro Four Thirds |
| Continuous Shooting | 2 |
| Aperture modes | F2.8 |
| Viewfinder Magnification | 12 Multiplier X |
| Audio Input | Microphone |
| Video Capture Format | MP4 |
| Expanded ISO Maximum | 1600 |
| Battery Weight | 1 Grams |
| Battery Cell Type | Lithium Ion |
| Battery Type | Lithium Ion |
| Water Resistance Level | Not Water Resistant |
| Frame Rate | 30 FPS |
| Mount Type | Bayonet |
| File Format | JPEG, RAW |
| Effective Still Resolution | 10.1 |
| JPEG Quality Level | Normal |
| Supported Image Format | JPEG |
| Maximum Image Size | 18 Inches |
| Bit Depth | 36 Bit |
| Total Still Resolution | 10.1 MP |
| Maximum Focal Length | 420 Millimeters |
| Optical Zoom | 12 x |
| Lens Type | Zoom lens |
| Zoom | Optical Zoom |
| Camera Lens | The Panasonic DMC-FZ50 features a powerful f2.8 Leica DC Vario-Elmarit 12x optical zoom lens with a 35mm equivalent focal length range of 35-420mm. It has 14 elements in 10 groups, including aspherical and ED lenses, and incorporates Panasonic's Mega O.I.S. optical image stabilization system. |
| Minimum Focal Length | 35 Millimeters |
| Real Angle Of View | 4.5 Degrees |
| Digital Zoom | 4 |
| Number of Diaphragm Blades | 7 |
| Lens Construction | 14 elements in 10 groups |
| Connectivity Technology | USB |
| Wireless Technology | Yes |
| Total USB 2.0 Ports | 1 |
| Total USB Ports | 1 |
| Shooting Modes | Frame movie mode |
| Digital Scene Transition | zoom |
| Digital-Still | Yes |
| Movie Mode | Yes |
| Image Capture Type | Stills & Video |
| Night vision | No |
| Auto Focus Technology | Contrast Detection, Live View, Single |
| Focus Features | TTL |
| Autofocus Points | 9 |
| Focus Type | Automatic, Manual |
| Autofocus | Yes |
J**N
Superb point 'n shoot is just a notch below a DSLR
In the past, I've owned or used several Panasonic Lumix models. All were good digital cameras. The FZ-50, however, is something very special.The Leica approved lens design is, as always, superbly sharp. From a butte with a 50+ mile view, landscapes of wheat fields were crisp and highly detailed and the 10 megapixel images withstood enlargement well. Color fidelity is also excellent though a bit on the muted side: easy enough to quickly correct in any image editing program.The new optical image stabilization (OIS) algorithm which compensates for both hand shaking and subject movement is absolutely brilliant and works incredibly well.The ability to shoot at ISO values up to 1,600 goes hand in hand with the new OIS abilities. No one could resist testing a handheld digital camera in a dim environment at ISO 1600. Needless to say, the images are noisy. But at ISO 1600, what would you expect? Handheld photos shot at 1/20th of a second at ISO 1600 in a dim restaurant were filled with both detail and noise. Remarkably the color balance was very well-handled: the incadescent restaurant lights were recorded faithfully along with the neon and halogen lamplight streaming in through the blinds from outside. Very, very impressive.Much of the noise could be ameliorated in Photoshop or similar programs with appropriate plug-ins. The high-speed capability is well worth the trade for noisy images. Purists may want noiseless images at ISO 1600, but it's unlikely they will ever get it. Practical photographers, on the other hand, will definitely appreciate the capability and undoubtedly will exploit it.Ergonomically, the FZ-50 is practically a work of art. All of the frequently used controls are accessible with the right hand. The enlarged hand grip is just perfect for my large hands and the shutter release is perfectly positioned, something I am not able to say about most of the digital cameras I've used. The electronic viewfinder is sharp and is boosted for low-light focusing. (There is also an AF-assist lamp.) The flip-out LCD may be positioned for high and low angle shooting or reversed for self-portraits.At about 1-1/2 pounds, the FZ-50 is a joy to carry for long periods.The menu system is very accessible and quick and easy to adjust.The few scene modes I tried worked well. Shooting pictures from a car moving at 60 miles per hour worked surprisingly well in the sports action mode.Shutter lag is remarkably slight: the Panasonic Venus III engine lives up to its billing. Response is not up to the level of a Nikon or Canon DSLR, but it is certainly faster than any other midlevel digital camera I've used. Burst rate of about one frame per second are routinely attainable.The FZ-50 will do RAW, but it is on the slow side. Either use an extremely fast SD card or avoid RAW where you need to be prepared for one exposure after another. JPEG files at full resolution (3,648 x 2,736 pixels) are quite good and will withstand, in my opinion, enlargement of about 4 - 5x.I think SD card compatibility may be an issue with 4GB cards. I tried one and the camera refused to boot. A variety of 2GB cards worked without a problem.The battery is rated for 360 shots between images. The test used by manufacturers uses one shot every 30 seconds, I believe. My experience with the battery didn't allow for more than 300 shots before the warning indicator started flashing. I don't know how many more shots I could have gotten, but I would definitely advise having a second battery for this camera.I did not try the movie mode, so I can't comment on that.Overall, the FZ-50 is more than satisfactory in every way. It is not a replacement for a Canon or Nikon DSLR, but is in many ways more satisfying to use. It is lighter than either a Canon or a Nikon; its 12x Leica approved designed lens covers 35 - to 425mm. Image quality is superb and the OIS is fantastic. I would highly recommend the FZ-50 as a travel camera or just for everyday use.Jerry
K**T
Good In Its Day
I've owned this camera for many years. The Panasonic DMC-FZ50 was released in 2006 and it's showing its age. While it still delivers respectable results, it is not quite on par with Pansonic's latest releases and those from other manufacturers. I'm not sure why it's current cost on Amazon is in the five hundred dollar range, so I would respectfully suggest considering the more advanced Fujifilm X-S1 12MP EXR CMOS Digital Camera with Fujinon F2.8 to F5.6 Telephoto Zoom Lens (24-624mm). It has a lower price point, a larger sensor, and offers a lot more bang for the buck when it comes to image quality and overall performance.If you are still set on a Panasonic Lumix bridge camera, I suggest looking at the LUMIX DMC-FZ70 16.1 MP Digital Camera with 60x Optical Image Stabilized Zoom and 3-Inch LCD. It is for some reason currently priced much less than the FZ50, and is much more advanced. It or the Fujifilm FinePix S1 are current leaders in the Bridge/Super-Zoom camera category. If you are still set on getting the FZ50 after considering those two options, know that you'll be getting a solid camera with decent image quality and a plethora of features. It is dated however, and the image quality at ISO 400 and above could be better. I believe I purchased mine in 2007 and I've never had a problem with it, so if build quality and dependability is a major factor for you, then rest assured that the DMC-FZ50 delivers.~ Kort
D**N
Super little camera.
Bought this FZ50 camera from Amazon last week at a good bargin price--477.00. And added some 1GB memory cards and an extra battery. All arrived intact. I've had a Panasonic FZ10 for a few years and it still works perfectly. The FZ series has moved on to the FZ20 and the FZ30--and by the time I got around to thinking of buying a new model, the FZ50 came alone. Recent price made me jump, partly for concern that the model could be discontinued for the next new thing.Having now seen some 90 (so far) digital image from a FZ50 for myself, the noise issue simply isn't there for images shot during daylight at lower ASA sensitivities (100, maybe 200). The little CCD sensor can't be expected to do well at higher ASA settings, but I was surprised at how nice all the test shots turned out. Detail in images shot at 100 ASA is simply grand. The higher telephoto shots show sharp, unimagined detail, without apparent chromatic problems (red, blue, etc. fringing around objects near edges of an image). This improvement over the FZ10, I think, is a result of the Venus III processor, rather than the lens, but all the same the images are very clean and sharp from edge to edge at wide and moderate aperature settings used so far (F3.5 to F5.6).The camera is rich with features, but the best in my opinion is the Focus/Exposure lock botton. The Focus/Exposure lock has three settings in the menu:1) Focus lock2) Exposure lock3) Both focus and exposure lock togetherSince the auto focus and the manual focus work so well, I selected exposure lock. Because the view finder is a digital image that reflects the exposure one is about to make (with shutter half-compressed), the ability to detect whether the image might be over or under-exposed makes the exposure lock very useful. One only has to find a slightly dimmer or brighter image on which to lock exposure and return to the desired image with a modified exposure setting very quickly. The locked exposure is released when you press the button again. Wonderful feature.This is not the camera to get if you want to reproduce large, smooth prints, though smaller prints up to 11x14 inches ought to look pretty nice. Instead, this camera is a unique, all-in-one-piece, wide to telephoto tool able to capture subjects near and far in wonderful detail. Being an illustrator, this camera is perfect for capturing the nut and bolt resources for future work--be it rabbits, birds, people, landscapes, etc. The Image Stabilization (set in menu to work only when pressing shutter) works very well and greatly helps the very good lens get the best shot--my opinion, anyway, after seeing the first test results. I could clearly read our town's name on a water tower some 3 miles away and was able to take some surprisingly sharp hand-held photos of the moon at full telephoto.Bought this FZ50 for my wife--another one of those Homer bowling ball gift purchases.
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